The Criterion Collection
Jul 24, 2017 — On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...
The Daily
Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...
The Daily
Jul 20, 2017 — This year’s Il Cinema Ritrovato wrapped nearly three weeks ago now, and it’s the kind of festival that has attendees reflecting on each edition months and undoubtedly years down the line. Three especially notable pieces have appeared in just the...
The Daily
Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...
In Theaters
Jul 13, 2017 — The newly opened Austin Film Society Cinema presents screenings of the Cannes award–winning animated film Fantastic Planet, a hallucinatory visual marvel designed by French artist Roland Topor.
The Daily
Jul 12, 2017 — New York. A retrospective of films by Alain Tanner opens today at the Metrograph and runs through July 23. Writing for Hyperallergic, Craig Hubert looks back on work Tanner did with the late critic, novelist, painter, and poet John Berger,...
The Daily
Jun 30, 2017 — New York. The tenth edition of Films on the Green, a series of free screenings of French films in the city’s parks, is on through September 7. Jim Jarmusch is one of the ten filmmakers and artists who’s selected a...
The Daily
Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...
The Daily
Jun 20, 2017 — “Bertrand Tavernier joins a growing list of filmmakers who've made what amounts to an epic video essay with My Journey Through French Cinema, a three-hour-plus leap into notable French filmmaking from roughly 1930 to 1980,” writes Clayton Dillard at Slant....
In Theaters
Jun 15, 2017 — Repertory PicksEvery day this weekend, on New York City’s Lower East Side, the Metrograph will give moviegoers the chance to see Todd Haynes’s 1995 film Safe in a 35 mm print. An elliptical drama suffused with existential dread, Safe revolves...