The Eye

Mar 28, 2023 — Described by director Joan Micklin Silver as “a kind of weird romantic comedy,” this defiantly ambiguous exploration of amour fou presents its obsessive antihero in all his contradictions.

Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.

Feb 26, 2020 — Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...

Nov 22, 2018 — A costume designer can make characters come alive. In this new interview, two historians explore how Orry-Kelly’s gowns helped Marilyn Monroe embody one of her finest roles.

Jun 1, 2016 — Repertory PicksThis week, as part of a complete survey of Robert Aldrich’s career (running through mid-August), the Harvard Film Archive in Cambridge, Massachusetts, will screen the director’s explosive 1955 noir masterpiece Kiss Me Deadly. Based on Mickey Spillane’s pulp novel...

Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Aug 25, 2014 — Love and death tango in Bob Fosse’s glittering ode to his own mortality.

May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.

Nov 13, 2009 — Japanese director Nobuhiko Obayashi, who made the utterly bonkers 1977 kinda-horror film House, currently getting a first-time American theatrical run from Janus Films, is profiled by Paul Roquet in a new essay for Midnight Eye. One of the few pieces...