The Criterion Collection
May 18, 2017 — Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...
Feb 12, 2007 — Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and in truth, I have.
Essays
Jul 29, 2002 — Viewing Kon Ichikawa’s film of the 1964 Summer Games in Tokyo, it is apparent that even then his main idea (despite the more than 150 cameras available to him) was to present a fragmented picture of the Games, rather than...
The Daily
Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.
The Daily
Nov 7, 2024 — Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.
Essays
Feb 24, 2021 — Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...
Jun 19, 2012 — Steven Soderbergh delivers a poignant psychological portrait of the late Spalding Gray in this deftly structured documentary.