Sep 11, 2014 In this short interview, a Criterion online exclusive, the Oscar-winning actor Penélope Cruz talks about the immense inspiration she drew at a young age from the work of Pedro Almodóvar, who would later become a friend and collaborator of hers—and...

Sep 3, 2014 In this clip from an extensive interview with Bob Fosse on The South Bank Show in March 1981, the filmmaker-choreographer recalls the idea for All That Jazz springing from one of the darkest periods of his life and discusses the...

Sep 2, 2014 The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...

Aug 27, 2014 In this excerpt from a 1999 interview produced by the Directors Guild of Japan, director Shohei Imamura talks about the personal investigative approach he took to making the 1979 serial killer drama Vengeance Is Mine, for which he viewed himself...

Aug 26, 2014 Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Aug 22, 2014 Through cinematography and editing, Bob Fosse made film pliable so that it could move to the rhythms of music and bodies in motion—so that it could dance. His 1979 masterpiece All That Jazz was his ultimate achievement in this regard....

Aug 20, 2014 One of John Cassavetes’s loyal troupe of collaborators reminisces about working with the fearless filmmaker.

Aug 18, 2014 The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.

Aug 12, 2014 The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

Aug 11, 2014 In 1983, during the production of John Cassavetes’s Love Streams, journalist Michael Ventura was hired by Cannon Films executive Menahem Golan to make a promotional documentary about the company’s first Cassavetes picture. The result was the sixty-minute “I’m Almost Not...

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