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Cracking Cannes

Features

May 13, 2015 Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.

May 7, 2015 Repertory PicksPut down that Hallmark greeting card and head over to Museum of the Moving Image in New York this Sunday for Mother’s Day. For the holiday, the museum is showing a terrifying trio of films with a maternal theme,...

May 7, 2015 Movie comedies about moviemaking through the decades

May 4, 2015 Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema The Apu Trilogy (Pather Panchali, Aparajito, and Apur Sansar) is returning to theaters across the country, in a meticulously reconstructed new 4K...

May 1, 2015 In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.

Apr 30, 2015 A well-deserved profusion of obituaries has reported in detail the achievements of Richard Corliss as a film journalist.

Apr 29, 2015 Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.

Apr 24, 2015 Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Apr 23, 2015 Repertory Picks Red, Krzysztof Kieślowski’s final film, and the conclusion of his Three Colors trilogy, was the capstone of a brilliant cinematic career. Though some of its power comes from its subtle connections to the earlier films in the series,...

Apr 20, 2015 "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...

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