The Criterion Collection
The Daily
Jun 16, 2023 — The week has brought interviews with Claire Denis and Pedro Costa and essays on the work of James Baldwin and Sharon Lockhart.
Jun 16, 2023 — Daisy von Scherler Mayer is an American film and television director. She made her feature debut with the critically acclaimed cult classic Party Girl, which premiered at the Sundance Film Festival in 1995, and was recently streaming on the Criterion...
The Daily
Jun 14, 2023 — At least one adaptation was met with unqualified critical and financial success—and then there’s the one McCarthy wrote from scratch.
Jun 9, 2023 — One of Hollywood’s most beloved actors showed a turbulent, sometimes downright sinister side in his collaborations with director Anthony Mann, which include the classic westerns Winchester ’73 and The Man from Laramie.
The Daily
May 31, 2023 — It’s not every year that so many critics are pleased with the juries’ choices.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
The Daily
May 19, 2023 — Take a break from Cannes with Eric Rohmer, the Dardennes, Patrice Chéreau, Joanna Hogg, and Matthew Barney.
The Daily
May 10, 2023 — The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”