The Criterion Collection
Sep 24, 2025 — Propelled by outstanding performances from Emmanuelle Devos and Vincent Cassel, Jacques Audiard’s third feature is the rare French crime film built around a complex female character who takes initiative in a male-dominated world.
Essays
Sep 23, 2025 — A tale of animal survival in a world deserted by humanity, Gints Zilbalodis’s Oscar-winning triumph casts a hushed spell with its elemental storytelling, immersive visual style, and creaturely subjectivity.
The Daily
Sep 23, 2025 — Josh O’Connor stars in the heist movie that slips into another genre entirely.
Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.
The Daily
Sep 22, 2025 — The LA genre festival presents a doc on a reviled sequel as well as the latest features from Radu Jude and Lucile Hadžihalilović.
The Daily
Sep 19, 2025 — A week of pairings: Two films by Chantal Akerman, two essays by Serge Daney, Mike Figgis on Francis Ford Coppola, and Nadia Latif on Mira Nair.
The Daily
Sep 17, 2025 — Godard, Malle, Duvivier . . . L’Alliance New York presents seven recent restorations.
The Daily
Sep 15, 2025 — First Nomadland, and now, Hamnet. Chloé Zhao is the first filmmaker to win the People’s Choice Award twice.
The Daily
Sep 12, 2025 — Pasolini, Kurosawa, and a week so busy we need to wrap with a lightning round.
Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”