The Criterion Collection
On the Channel
Jul 30, 2018 — Cinematographer Robby Müller, who passed away earlier this month at the age of seventy-eight, was renowned for his sensitive use of natural light and the economy of his striking compositions. When he joined forces with Lars von Trier for 1996’s Breaking...
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
Dec 14, 2017 — Emotion Pictures: International Melodrama is a sixty-two film series now running at the Film Society of Lincoln Center in New York through January 7. “Sam Fuller famously defined cinema as ‘emotion,’ and just about every variety of it may be...
On the Channel
Aug 7, 2017 — On the anniversary of his birth, we’re celebrating Hollywood renegade Nicholas Ray with complete editions of three of his masterpieces on the Criterion Channel.
Sneak Peeks
Jun 19, 2017 — In his film debut, legendary director Nicholas Ray captured the mythic dimensions of the American open road through the story of an outlaw couple.
May 18, 2017 — “Like a Judd Apatow thriller or a Michael Haneke kids flick, the concept of a Claire Denis comedy at first sounds like a contradiction in terms,” begins Jordan Mintzer in the Hollywood Reporter. “After all, the 71-year-old French auteur, whose...
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.