The Criterion Collection
Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.
The Daily
Dec 13, 2023 — Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.
The Daily
Nov 10, 2023 — Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.
Feb 7, 2023 — One of Krzysztof Kieślowski’s closest collaborators, the Polish composer suffuses the quotidian images that appear throughout Blue, White, and Red with deep poetry and sacred meaning.
The Daily
Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.
Essays
May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.
The Daily
Apr 26, 2022 — The Sydney-based festival of new restorations offers a rich set of globally accessible program notes.
The Daily
Apr 23, 2021 — This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.
Nov 25, 2020 — A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...
The Daily
Sep 16, 2020 — Glenn Kenny’s new book on Scorsese’s Goodfellas scores raves and Coppola has been tinkering with The Godfather again.