The Criterion Collection
Dec 19, 2017 — While he was in town with Call Me by Your Name at the New York Film Festival in October, Luca Guadagnino stopped by our office to talk about inspirations, style, and dancing.
In Theaters
Dec 7, 2017 — In this provocative satirical essay film, screening next week in Portland, Dušan Makavejev explored the theories of psychologist Wilhelm Reich through the story of a young woman’s sexual liberation.
Nov 29, 2017 — Tracy Letts is an American playwright, screenwriter, and actor. He received the 2008 Pulitzer Prize for drama for his play August: Osage County and a Tony Award for his portrayal of George in a revival of Who’s Afraid of Virginia...
On the Channel
Nov 28, 2017 — Film scholar Kristin Thompson examines Victor Sjöström’s innovative use of flashbacks in his silent-era masterpiece The Phantom Carriage.
Sneak Peeks
Nov 16, 2017 — One of the masters of the French crime film explains how the film-noir form serves as a convenient vehicle for exploring such elemental human themes as freedom and betrayal.
Oct 26, 2017 — Jonas Carpignano was born in 1984 and grew up in New York City and Rome. His first feature film, Mediterranea, debuted at the Cannes Film Festival—Semaine de la Critique in 2015 before receiving the award for the best directorial debut...
Oct 24, 2017 — Stephen Cone is a Chicago-based filmmaker whose films Henry Gamble’s Birthday Party and The Wise Kids are available on DVD and VOD. His latest, Princess Cyd, premiered at Maryland Film Festival, was an official selection of BAMcinemaFest and Frameline, and...
In Theaters
Oct 13, 2017 — The late, great George A. Romero’s masterpiece opens tonight at New York’s Film Forum in a stunning new restoration.
In Theaters
Oct 12, 2017 — The Roxy Theater in Missoula, Montana, pays tribute to one of the masters of body horror with a screening of the 1981 film Scanners.
Oct 11, 2017 — The shower scene in Psycho remains one of the most iconic scenes in film history. Alexandre O. Philippe, director of the new documentary 78/52,explains why it touched a nerve with audiences.