The Criterion Collection
Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neorealism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...
Mar 9, 2015 — François Truffaut’s adultery drama is at times corrosively funny and at others frighteningly tense, but it’s always incisive and humane.
Feb 26, 2015 — The threat of death hangs over Watership Down, Martin Rosen’s wise and uncompromising animated adaptation of Richard Adams’s classic novel about rabbits on a survival mission.
Feb 24, 2015 — Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.
Sneak Peeks
Feb 23, 2015 — We love talking to Mexican horror auteur Guillermo del Toro (Cronos) about movies; he’s among the most knowledgeable, passionate, and articulate cinephiles we know. We were particularly intrigued to hear his take on Martin Rosen’s 1978 animated film Watership Down,...
Short Takes
Feb 20, 2015 — In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...
Sneak Peeks
Feb 18, 2015 — Don’t Look Now is many things: terrifying, poignant, mysterious, sexy, tragic. That all these disparate qualities are woven together so seamlessly is partly a miracle of cutting, so one must give proper credit to the film’s editor, Graeme Clifford. In...
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Sneak Peeks
Feb 15, 2015 — Among the most exciting supplements on our new release of Jean Renoir’s classic short A Day in the Country is an eighty-nine-minute compilation of outtakes from the film, titled Un tournage à la campagne, which features revelatory behind-the-scenes footage of...
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.