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Jan 15, 2016 The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.

Jan 14, 2016 Repertory PicksThe Cinema Arts Centre in Huntington, New York, hosts a recurring series called Sunday Schmooze, and on offer this weekend is Gabriel Axel’s 1987 gem Babette’s Feast. The Oscar-winning drama, based on a short story by Danish author Karen...

Jan 14, 2016 For the lead role of Tom Ripley in Wim Wenders’s The American Friend, a melancholy neonoir that fused Wenders’s New German sensibility with classic Hollywood drama, the director needed an actor who could convey menace with complexity. Wenders had his...

Jan 12, 2016 In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.

Jan 11, 2016 In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.

Jan 8, 2016 As an online companion piece to W magazine’s annual Best Performances issue, the magazine’s editor at large, Lynn Hirschberg, sat down with thirty-one Hollywood actors for a series of off-the-cuff video interviews. This year, Hirschberg asked the selected coterie to...

Jan 7, 2016 View a clip from Lady Snowblood: Love Song of Vengeance, featuring actor Meiko Kaji in a scene that highlights the film’s dazzlingly choreographed combination of visual beauty and unflinching ferocity.

Jan 7, 2016 This month, the Boston Museum of Fine Arts is hosting the series Words in Motion: Graham Greene as a Screenwriter, celebrating the British author’s important contribution to the medium.

The Color of Dreams

Tech Corner

Jan 7, 2016 While in Tokyo to work on Akira Kurosawa’s 1990 film, our technical director got a glimpse at some of the filmmaker’s original drawings that he used to shoot the movie.

Jan 6, 2016 Celebrated English playwright, actor, screenwriter, and composer Noël Coward brought us many cinema classics, but his relationship with the medium was far from straightforward, as Coward scholar Barry Day explains in a post at Literary Hub.

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