For the lead role of Tom Ripley in Wim Wenders’s The American Friend, a melancholy neonoir that fused Wenders’s New German sensibility with classic Hollywood drama, the director needed an actor who could convey menace with complexity. Wenders had his eye on John Cassavetes for the role, hoping his emotional intelligence and filmmaker’s insight would provide another layer to the soul of Ripley. Cassavetes turned down the offer but recommended fellow actor-director Dennis Hopper, and Wenders soon came to realize that Hopper’s eccentric persona embodied the mysterious, ominous quality he was after. (Wenders went on to fill the rest of the film’s roster of crooks and gangsters with other legendary directors—the American titans Samuel Fuller and Nicholas Ray and the French New Wave hero Jean Eustache.) In the video below, Wenders discusses how Hopper’s idiosyncratic interpretation of Ripley brought the character to life.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.