The Criterion Collection
Sep 18, 1995 — The global problem of domestic violence destroys families and, in a broader context, locks entire societies into a pathology of pain, distrust, and self-hate. When the basic building blocks of any society—the bonds between mother, father, children—are so grossly violated,...
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...
Oct 24, 2017 — In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.
Short Takes
Sep 29, 2015 — The opening title sequence is an essential part of any film, establishing tone, mood, and purpose, but it can also be a little self-contained masterwork of its own. As this new piece for Art of the Title demonstrates, the opening...
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...
Sneak Peeks
Apr 25, 2013 — Repo Man comes on like a bat out of hell. The opening credits are driven by the instrumental version of Iggy Pop’s propulsive "Repo Man Theme,” a song that immediately establishes the film’s punk identity. It’s hard to imagine the...
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.
Essays
May 3, 2011 — Ingmar Bergman’s exquisite carnal comedy turns a set of boudoir farce conventions into lyrical poetry.
Dec 2, 2010 — Jacques Tati’s Playtime (1968) opens in a shiny space: nuns breeze past; a woman in a white uniform clacks through, bearing towels; a baby cries. People wait. The feeling is “hospital.” A second woman in white delivers towels, and we...