The Catch

Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.

Feb 24, 2021 — We’re losing Cinefex but gaining a newly robust Screen Slate. And the new Cineaste is out, along with this year’s Hollywood issue of Vanity Fair.

Jun 29, 2020 — The new issue ranges from experimental nonfiction to a Pixar feature, from a ten-screen installation to Watchmen.

Jul 12, 2018 — The director of Bull Durham explains the ins and outs of bringing baseball to the screen and why Kevin Costner is the finest athletic actor he’s worked with.

Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

Dec 22, 2011 — Performances Ingmar Bergman had originally envisioned Ingrid Bergman in the role of Helena Ekdahl, the matriarch who presides over Fanny and Alexander (1982) like a benevolent, gloriously red-swathed empress. The actress, however, who had already been ailing while shooting the...

Feb 16, 2009 — Through the story of thunderously, wondrously henpecked men and a determined woman’s romantic zeal, David Lean’s comedy depicts private and social revolution.

Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.