The Criterion Collection
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
The Daily
Oct 29, 2018 — With Lee Chang-dong’s latest film opening in U.S. theaters, we take a look at the second wave of critical response.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Essays
Oct 16, 2018 — Seen as a light-hearted farce upon its release, this star-studded comedy by Hal Ashby stands as one of Hollywood’s most prescient portraits of post-Watergate politics.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
The Daily
Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
Features
Aug 9, 2018 — An annual destination for cinephiles from around the world, this film festival in Bologna is a magical place to discover the richness of cinema’s past.