AFR

Mar 4, 2019 — Thanks to Charly Palmer, our edition of To Sleep with Anger certainly catches the eye. The Atlanta-based artist, who illustrated our cover for Charles Burnett’s long-underseen 1990 film, has for years been renowned for his vibrant, densely layered depictions of...

Mar 1, 2019 — Claire Simon begins her new documentary The Competition with a shot of young filmmakers chatting outside the locked gates of La Fémis, the most prestigious film school in France, patiently awaiting an opportunity to be judged by a panel of...

Feb 26, 2019 — The trailblazing African American director Charles Burnett’s third feature, To Sleep with Anger (1990), was his biggest production to date, albeit still made on a modest budget of $1.4 million, a significant portion of which was raised through the attachment...

Feb 25, 2019 — Turns out, not everyone loves a winner.

Feb 19, 2019 — Under the Influence Debuts don’t get much more auspicious than Hale County This Morning, This Evening. Widely acclaimed and Oscar-nominated, RaMell Ross’s first feature-length documentary trains its lyrical focus on two young Alabamians’ divergent paths into adulthood, all while reflecting...

Feb 14, 2019 — Repertory Picks This Friday, critic Girish Shambu will present Aki Kaurismäki’s warmhearted fable Le Havre (2011) at the TIFF Bell Lightbox in Toronto. The first entry in an ongoing trilogy about the plight of refugees in twenty-first-century Europe, the film is set...

Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.

Feb 4, 2019 — Performances The first movie that Nicolas Roeg and Theresa Russell made together, Bad Timing (1980), was denounced by its distributor, the Rank Organisation, as a “sick film made by sick people for sick people,” which may sound to some like...

Feb 1, 2019 — A cast of dolls and a rhino are featured in this year’s award-winners, and Steven Soderbergh has previewed his new film.

Jan 25, 2019 — Retrospectives in New York and Glasgow offer opportunities to catch up with or revisit the work of an outstanding director of comedies.