In Gefahr und größter Not bringt der Mittelweg den Tod

Feb 18, 2013 — Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

Feb 1, 2013 — Wim Wenders wanted his documentary tribute to the legendary choreographer Pina Bausch to be unlike any other dance movie ever made. He accomplished this by shooting it in 3D, resulting in a vivid, sometimes startling sensory experience. In this illuminating...

Jan 8, 2013 — In Monte Hellman’s hypnotic road movie Two-Lane Blacktop, folk singer James Taylor gives a lead performance that is both unassuming and arresting, the kind of askew, unshowy, vanity-free acting that perhaps only a nonprofessional actor is capable of. As the...

Jul 25, 2012 — The erudite, drawing-room milieu of Whit Stillman’s Metropolitan is worlds away from the virile, anything-goes atmospheres of the independent horror movies made by Troma Films. Yet the two came together, ever so briefly, when Stillman cast his friend the colorful...

Jun 12, 2012 — Charlie Chaplin’s The Gold Rush isn’t notable just for its timeless gags; it’s also a superbly designed film with impressive sets and special effects. For a supplemental feature in our new edition of the film, we interviewed effects specialist Craig...

Apr 9, 2012 — Among the lasting artistic contributions to American culture of the great Paul Robeson (born on this date in 1898) was his beautiful, booming singing voice. In addition to being an actor, activist, and orator, Robeson was a star of the concert hall....

Apr 6, 2012 — Images by the avant-garde icon can be seen at Anthology Film Archives this weekend.

Dec 22, 2011 — Performances Ingmar Bergman had originally envisioned Ingrid Bergman in the role of Helena Ekdahl, the matriarch who presides over Fanny and Alexander (1982) like a benevolent, gloriously red-swathed empress. The actress, however, who had already been ailing while shooting the...

Oct 26, 2011 — Performances The galumphing hulk who terrorized early sound cinema audiences in Frankenstein (1931) and The Mummy (1932), Boris Karloff was the movies’ politest monster. Even in his darkest on-screen moments, the London-born Karloff (né William Henry Pratt) exhibited a regal...

May 8, 2011 — Performances In her performances, actress Shelley Duvall often seems as though she’s walking through a fog. Her gawky-elegant string-bean body moving as though on a conveyer belt, her perpetually goggling saucer eyes staring out at the world yet seeming to...