The erudite, drawing-room milieu of Whit Stillman’s Metropolitan is worlds away from the virile, anything-goes atmospheres of the independent horror movies made by Troma Films. Yet the two came together, ever so briefly, when Stillman cast his friend the colorful cult icon Lloyd Kaufman (director of such trashy epics as The Toxic Avenger and Tromeo and Juliet) in one scene of his film, as a somewhat sleazy record producer. Stillman ultimately recast the part—the character is meant to be a bit threatening, while Kaufman comes across as funny and affable. But you can see Kaufman’s (rather winning, we think) performance below in a series of outtakes from the scene, accompanied by a commentary track by Stillman.
The Hope That Fueled Bowling for Columbine
How much can a film turn the tide on American violence? Michael Moore and archivist Carl Deal reflect on the moral urgency that gave rise to one of the most talked-about documentaries of all time.
Bringing the Grit to Philippine Cinema
For Philippine master Lino Brocka, casting a mix of nonprofessional and professional actors was key to achieving his brand of unvarnished naturalism.
This Kiss: Filming an Intimate Moment in The Virgin Suicides
What goes into staging the perfect on-screen kiss? Director Sofia Coppola and actors Kirsten Dunst and Josh Hartnett look back on shooting a passionate make-out session in The Virgin Suicides.
“Perfect Imperfection”: Neil Young Improvises Dead Man
Jim Jarmusch filmed Neil Young recording the score for his 1995 revisionist western. Watch a bit of the never-released footage here.