The Criterion Collection
Nov 20, 2008 — In honor of her introduction to the collection, with An Angel at My Table, we asked director Jane Campion to contribute a list of Criterion films that are on her mind at the moment. Campion’s debut feature, Sweetie, is also...
Nov 19, 2008 — Michael Barker and his copresidents at Sony Pictures Classics, Tom Bernard and Marcie Bloom, have brought out some of the best and most successful independent and international films of the last two decades, from Women on the Verge of a...
Nov 19, 2008 — Iranian-American writer and director Ramin Bahrani’s feature films include: Man Push Cart (2005), Chop Shop (2007), Goodbye Solo (2009), 99 Homes (2014), and Fahrenheit 451 (2018). They have won awards and acclaim all over the world, from Venice to Cannes...
Nov 19, 2008 — Allan Arkush is an Emmy-winning television director and executive producer of NBC’s hit series Heroes. Arkush's directing credits also include the Ramones’ cult classic Rock ’n’ Roll High School, which Rolling Stone magazine named as one of the top-10 rock...
Nov 19, 2008 — “Wow, this assignment kicked my ass in a glorious way!” said Anders. “As with everyone before me, picking just ten Criterion classics is too daunting; so you have to find a system that allows you to play a favorite game,...
Essays
Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...
A lifelong cinephile, this French filmmaker reinvigorated cinema throughout the sixties and seventies by breaking from the industry’s bloated “tradition of quality.”
From artistically refined epics to gory, pulpy spectacles, these films showcase the richness of a uniquely Japanese action subgenre.
"Life caught unawares," that's how Soviet filmmaker Dziga Vertov defined the principle and art of documentary in the thirties. Yet the documentary has taken so many forms over the past century that it is too simple to call it the...
One of cinema’s great subversives and mischief makers, this Spanish master combined surrealist non sequiturs with attacks on the bourgeoisie and the church.