The Criterion Collection
Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...
Apr 19, 2022 — With the extraordinary success of Drive My Car on the global festival and awards circuit, director Ryusuke Hamaguchi has emerged as one of the most beloved filmmakers in the world. In honor of today’s announcement of our upcoming edition of the movie,...
Short Takes
Jul 8, 2015 — Steve Blauner, one of the founders of BBS, the production company that produced Five Easy Pieces, The Last Picture Show, The King of Marvin Gardens, and more, died last month at age eighty-one. We were lucky enough to sit down...
Interviews
Jul 18, 2024 — A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.
On the Channel
Jul 1, 2018 — In one of Criterion’s earliest commentary tracks, Martin Scorsese and Paul Schrader talk about how they got lucky with their gripping New York City classic.
The Daily
Oct 8, 2017 — “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...
Jan 30, 2017 — Film scholar Shonni Enelow reveals the methods of the Mamet style of acting in this examination of Crouse’s subtly feminist lead performance.
Sep 24, 1990 — Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...
The Oscar-nominated actor shines a spotlight on the allure of French star Béatrice Dalle, the riveting female characters in Uncut Gems, and the unbridled imagination in Jim Jarmusch’s films.
The Daily
Nov 11, 2022 — This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.