The Criterion Collection
Visual Analysis
Sep 9, 2018 — Under the Influence Whether he’s exploring the dynamics of a family in crisis or putting his own spin on the body horror genre, Norwegian director Joachim Trier always returns to the subjective experience of time and memory as a central...
On the Channel
Sep 7, 2018 — For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...
The Daily
Sep 7, 2018 — Hoberman on Romero, Anderson on Godard, Gallagher on Ford, filmmakers’ top fifties, and more.
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
On the Channel
Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...
The Daily
Sep 4, 2018 — Natalie Portman sings, Willem Dafoe paints, and Frederick Wiseman heads to Trump country.
Production Notes
Sep 3, 2018 — The producers behind our edition of Tomás Gutiérrez Alea’s masterpiece share stories they discovered from researching the film and the turbulent political climate that inspired it.
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.
Aug 30, 2018 — By posing provocative questions about revolutionary politics, Tomás Gutiérrez Alea brought Cuban filmmaking onto the international stage.
The Daily
Aug 29, 2018 — Besides presenting selections from the world’s top festivals, London will also premiere the latest from Ben Wheatley.