May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

At the Wheel

Essays

May 30, 2023 Arriving at a fulcrum moment in women’s history in the United States, Thelma & Louise stoked controversy by delivering a boldly feminist worldview in a funny, warm, and sexy package.

May 26, 2023 This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.

May 24, 2023 Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.

May 23, 2023 Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.

May 22, 2023 Drawing freely from the novel by the late Martin Amis, Glazer emphasizes the horror of what we do not see.

Desires Betrayed

The Daily

May 19, 2023 Take a break from Cannes with Eric Rohmer, the Dardennes, Patrice Chéreau, Joanna Hogg, and Matthew Barney.

May 11, 2023 Starting this fall, Criterion will proudly join Janus Films in presenting Janus Contemporaries, a new line of home-video editions of first-run releases, fresh from theaters, following their streaming premieres on the Criterion Channel.

May 10, 2023 The critic and memoirist expands on her 2017 essay “What Do We Do with the Art of Monstrous Men?”

May 3, 2023 The third edition of New York’s festival of experimental documentary and avant-garde film is on through Sunday.

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