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Oct 23, 2014 — The author recalls meeting the filmmaker in a Swedish hotel in the ’70s.

Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...

Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Oct 21, 2014 — As breakup songs go, “Dreaming My Dreams with You,” written by country stalwart Allen Reynolds, is a tear-jerking doozy. It first appeared on the 1975 Waylon Jennings album Dreaming My Dreams. And while it’s been covered pretty frequently, by singers...

Oct 17, 2014 — In the following rare production footage, Roman Polanski directs a scene from his visceral, breathtaking 1971 film version of Macbeth. The particularly challenging set piece he is creating depicts the crucial moment when Birnam Wood comes to Dunsinane Hill, realizing...

Oct 16, 2014 — This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Oct 14, 2014 — What happens offscreen is as important as what’s on- in John Ford’s subtle, elegiac take on the Wyatt Earp–Doc Holliday story.

Oct 8, 2014 — Eraserhead is a dark movie—literally. In this excerpt from a new interview on our special edition release of the film, director of photography Frederick Elmes discusses David Lynch’s approach to lighting his high-contrast black-and-white breakthrough, which you sometimes have to...

Oct 7, 2014 — In this five-minute excerpt from our new hour-long documentary Toil and Trouble: Making “Macbeth,” director Roman Polanski talks about the freedom adapting Shakespeare allows a filmmaker, and his unusual choice to cast young, physically attractive actors in the main roles....

Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...