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In Gefahr und größter Not bringt der Mittelweg den Tod

Sep 20, 2018 The sheer strangeness of wealth and class divisions is fodder for screwball hilarity in Gregory La Cava’s Depression-era masterpiece.

Sep 20, 2018 Travel back to the height of Beatlemania and the swinging sixties with Richard Lester’s infectious rock-movie classic A Hard Day’s Night, screening this weekend at the American Cinematheque.

Sep 16, 2018 Olivier Assayas revived the spirit of the 1970s in one of cinema’s most evocative party sequences, which serves as the centerpiece of his acclaimed 1994 film.

Aug 16, 2018 The Cleveland Museum of Art salutes the late Italian master Ermanno Olmi with a screening of Il posto, a touching and wisely funny look at the trials of work.

Aug 8, 2018 New films by Karyn Kusama, Alex Ross Perry, and Benjamín Naishtat will compete in the Platform program.

Jul 31, 2018 The award-winning director of The Rider explores the deep respect for nature and subjective human experience in Terrence Malick’s masterful vision of early seventeenth-century America.

Jul 19, 2018 Repertory Picks This weekend, the Guild Cinema in Albuquerque, New Mexico, will plunge into the shadows, as the theater launches its fifteenth-annual Festival of Film Noir, a celebration spanning ten days, five double features, and countless criminal acts. The festival...

Jun 28, 2018 The new restoration of Olivier Assayas’s long-unavailable breakthrough film, Cold Water, continues its tour across the country this week.

Jun 21, 2018 Repertory Picks Fritz Lang’s first sound film, M, remains perhaps the most influential serial-killer movie in the history of cinema. Next Wednesday, it comes to the University of Wisconsin–Madison Cinematheque as part of an ongoing series showcasing the film’s star, Peter Lorre....

Jun 14, 2018 Repertory Picks With Unruly Women, a monthly repertory series running through August, the Art Theater in Champaign, Illinois, is celebrating the defiant passions of some of cinema’s most fiercely independent female characters. On Monday evening, Douglas Sirk’s 1955 film All...

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