The Criterion Collection
In Theaters
Dec 13, 2018 — Repertory Picks Tomorrow, as part of the opening night of the three-week-long retrospective Jacques Tourneur, Fearmaker, New York’s Film Society of Lincoln Center will scare up a screening of the director’s masterpiece Cat People. The chilling tale of a fashion designer...
In Theaters
Dec 6, 2018 — Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...
In Theaters
Nov 29, 2018 — Repertory Picks Tonight at 7, Minneapolis’s Trylon cinema will give over its single screen to Godfrey Reggio’s 1983 Koyaanisqatsi. Drawing its title from a Hopi term meaning “life out of balance,” the experimental, fiercely poetic film indicts the excesses of...
Nov 22, 2018 — A costume designer can make characters come alive. In this new interview, two historians explore how Orry-Kelly’s gowns helped Marilyn Monroe embody one of her finest roles.
In Theaters
Nov 1, 2018 — Seattle’s oldest continuously running movie theater showcases the career of one of American independent cinema’s great rebels.
Nov 1, 2018 — Art director Richard Holland shares the nitty-gritty of how he constructed the infernal torture device in Rob Reiner’s classic fairy tale.
In Theaters
Oct 4, 2018 — Repertory Picks Tonight at 7, as part of its tuneful series Cinema Jukebox, the Coolidge Corner Theatre in Brookline, Massachusetts, throws the spotlight on one of the last great American films of the 1970s, as Bob Fosse’s showstopping All That...
Sneak Peeks
Oct 1, 2018 — Professor Imani Perry details how Lorraine Hansberry’s own experience of housing discrimination made its way into her landmark play.
Sneak Peeks
Sep 28, 2018 — In this contemplative moment from a documentary about Andrei Tarkovsky, the elusive master explains how he tried to conjure an immersive vision of painter Andrei Rublev’s world.
On the Channel
Sep 24, 2018 — Professor David Bordwell breaks down the stunningly innovative thirteen-minute prologue of Alain Resnais’s debut feature in this excerpt from a program on the Criterion Channel.