The Criterion Collection
Richard Porton is one of the editors of Cineaste in New York. He is the author of Film and the Anarchist Imagination and the editor of Dekalog 3: On Film Festivals.
A. S. Hamrah’s work has appeared in a number of publications, including n+1, Bookforum, and Harper’s. A collection of his work, The Earth Dies Streaming: Film Writing, 2002–2018 (n+1 Books), was called “essential reading” by the Nation and “form-bending, disobedient”...
Sam Di Iorio has written about Jean Rouch, Chris Marker, Jacques Rivette, François Truffaut, and Luc Moullet. He teaches French cinema and French literature in the Department of Romance Languages at Hunter College and at the Graduate Center of the...
Tony Pipolo writes extensively on film. He is the author of the award-winning Robert Bresson: A Passion for Film and is a practicing psychoanalyst in New York.
John Rockwell was a longtime arts critic and editor for the New York Times and the founding director of the Lincoln Center Festival. The author of four books (one about Lars von Trier), he is now a freelance writer and...
Farran Smith Nehme has written about film and film history for the New York Post, Barron’s, the Wall Street Journal, Film Comment, the Village Voice, and Sight and Sound as well as for her Substack, Self-Styled Siren.
Eric White is a visual artist showing extensively in the U.S. and Europe, and living in New York City. His work can be seen here.
Bilge Ebiri is a writer for New York magazine, and has written for the Village Voice, the New York Times, Rolling Stone, Bookforum, and many other publications.
Greil Marcus is the author of Lipstick Traces, The Shape of Things to Come, and The Manchurian Candidate in the BFI Film Classics series. With Werner Sollors, he is the editor of A New Literary History of America (Harvard, 2009)....
Graham Reznick is a director and sound designer based in Brooklyn. His hallucinatory 2008 horror feature I Can See You received rave reviews in the New York Times, Variety, and the Village Voice. Learn more about Reznick’s work at aphasiafilms.com.