The Criterion Collection
Essays
Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.
Aug 18, 2003 — One of the Swedish director’s most representative works, this drama’s portentousness, banked intensity, and recondite symbolism come near to embodying the popular stereotype of the Bergmanesque.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Essays
Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Short Takes
Feb 5, 2016 — Today marks the birthday of French New Wave pioneer François Truffaut. In celebration of his incredible life and body of work, revisit a selection of essays and Criterion supplements dedicated to the brilliant filmmaker and cinephile: “The face of the...