The Criterion Collection
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Nov 13, 2000 — All the opening bands had finished playing, and it was time for the Stones to come out. The sun was still out and there was plenty of daylight left. The crowd had waited all day to see the Stones perform,...
The Daily
Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.
The Daily
Jun 22, 2020 — Heartfelt tributes to the great British actor have been appearing since he passed away on Friday.
Apr 20, 2009 — The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
The Daily
Sep 4, 2018 — Natalie Portman sings, Willem Dafoe paints, and Frederick Wiseman heads to Trump country.
Aug 24, 2009 — Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...
Essays
Jan 31, 2005 — With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.