The Criterion Collection
The Daily
Sep 29, 2017 — “A ravishing visual colossus, Blade Runner 2049 more than lives up to its predecessor’s legacy as a groundbreaking mixture of sound, images and mood,” begins Screen’s Tim Grierson. “This long-anticipated sequel’s screenplay sometimes struggles to keep pace, but director Denis...
The Daily
Aug 2, 2017 — “Jonathan Demme loved people,” begins Matt Prigge, writing for Metro US. “There are villains in his movies—most notably that charming aesthete Hannibal Lecter, who loved people, too, only as food. And his biggest hits were about strife: the hunt for...
The Daily
Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Oct 12, 2009 — Man is Not a Bird: Flying Away The term “independent cinema” has lost its punch in recent years, from overuse and misapplication. One need only look to the films of Dušan Makavejev for a reminder of its true meaning. This...
Dec 16, 2008 — More than a year ago, Peter and I were in the midst of discussions about how we wanted to launch the Criterion cinematheque. Over time, those discussions expanded to include every department at Criterion. We wanted to have a single...
Essays
Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...
Jul 9, 2026 — Deep Dives One of the most mischievous figures in world cinema, Věra Chytilová is still best known for Daisies, the daring 1966 film whose gonzo vision of female rebellion and empowerment launched her into the public eye. This Czechoslovak New...
Nov 26, 2024 — In this tragicomic road movie about a Bible-selling con man and his precocious young charge, Peter Bogdanovich brings Depression-era America to vivid life without sentimentality or nostalgia.
Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.