The Criterion Collection
Visual Analysis
Nov 17, 2019 — Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...
Sneak Peeks
Mar 6, 2018 — Scholar Donald Petrie delves into how inspired choices in casting and cinematography gave Tony Richardson’s Oscar-winning period comedy its modern sensibility.
May 31, 2017 — New Taiwan Cinema master Edward Yang’s sophomore feature explores the conflict between tradition and modernity reflected in a relationship on the rocks.
In Theaters
Dec 28, 2017 — Charlie Chaplin’s Modern Times sets up shop on the big screen at Iowa City’s FilmScene this week.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
The Daily
Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.
Feb 2, 2026 — One of the most influential composers of his generation, Max Richter is known for his ability to seamlessly blend traditional orchestrations with modern electronic elements. Among the more than fifty projects that he has scored are films by Denis Villeneuve,...
Nov 18, 2025 — A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.
Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.