Extreme Job

Apr 22, 2018 — This year’s Art of the Real, the fifth, running from Thursday through May 6 and co-presented by MUBI and the Film Society of Lincoln Center in New York, “offers a survey of the most vital and innovative voices in nonfiction...

Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.

May 25, 2017 — “The botched bank robbery is a well-worn genre staple, but has ever a heist gone quite so wrong to quite such electric, propulsive effect as in Josh and Benny Safdie’s Good Time?” asks Jessica Kiang at the Playlist. “Bouncing wildly...

Apr 5, 2017 — An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.

Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.

Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.

Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.