Europa

Feb 24, 2018 — The International Jury of the sixty-eighth Berlin International Film Festival—Tom Tykwer (president), Cécile de France, Chema Prado, Adele Romanski, Ryuichi Sakamoto, and Stephanie Zacharek—has awarded the Golden Bear for Best Film in the Competition to Adina Pintilie’s Touch Me Not.Małgorzata...

Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...

Dec 20, 2017 — Eric Kohn introduces the results of IndieWire’s 2017 Critics Poll: “More than 200 critics and journalists from around the world participated in the eleventh edition of the poll, making it the largest international critics survey of its kind.” Jordan Peele’s...

Sep 8, 2017 — Right on the heels of his report on this years Venice International Critics Week awards comes Variety’s Nick Vivarelli once again with news from the other independently run program, Venice Days. “Colombian new wave producer-director Jhonny Hendrix Hinestroza’s Candelaria, a...

May 26, 2017 — The Quinzaine des Réalisateurs, known to most as Directors' Fortnight, a program running parallel to the Cannes Film Festival since 1969, is noncompetitive. Still, a handful of organizations with varying degrees of affiliation present awards on the same evening.This year’s...

May 19, 2017 — “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

May 8, 2017 — With his mix of documentary-like immediacy and profound moral inquiry, Roberto Rossellini became a pioneer of Italian neorealism, a movement that transformed the way filmmakers captured the fabric of everyday life and and grappled with the most urgent social issues...

Nov 17, 2015 — Max von Sydow has spent the past six decades cultivating one of cinema’s most illustrious careers, and now, at eighty-seven, the Swedish actor “may be on the verge of becoming a pop-culture icon,” writes Terrence Rafferty in the Atlantic.

Mar 11, 2015 — More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neo­realism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...