The Criterion Collection
Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
The Daily
Jun 11, 2025 — Acropolis Cinema presents the LA premiere of The Damned and the world premiere of a new restoration of The Passage.
The Daily
Jun 6, 2025 — Wes Anderson celebrates Satyajit Ray, Chantal Akerman talks framing, and Callie Hernandez writes about Jonathan Glazer.
The Daily
Jun 4, 2025 — BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.
The Daily
May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.
Apr 17, 2025 — After a wildly successful stop at SXSW, where we welcomed over a thousand film fans, the Mobile Closet is making its way to Vidiots and American Cinematheque in LA.
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.