Aug 20, 2001 I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....

Dec 2, 1991 Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...

The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.

The musician, producer, filmmaker, author, and actor reminisces about discovering Black Orpheus through Prince, shares his love for concert films like Monterey Pop and Gimme Shelter, and talks about how Spike Lee’s films have always been ahead of their time.

The writer-director of Europa Europa and Green Border talks about Agnès Varda’s influence on women in cinema, praises contemporary masterworks like Parasite and Anatomy of a Fall, and shares why she always returns to Diamonds of the Night before making...

The award-winning actor talks about his childhood experience seeing Carnival of Souls and his love for low-budget horror treasures, shares how Blue Velvet ignited his desire to become an actor and why Rashomon always moves him to tears, and praises...

The writer, director, and actor talks about a parallel between The 400 Blows and his popular show It’s Always Sunny in Philadelphia, the inspiration he has taken from Being There, and his excitement about exploring the work of Agnès Varda.

Jun 17, 2025 Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.

Fits and Starts

The Daily

May 13, 2022 It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

Mar 9, 2015 François Truffaut’s adultery drama is at times corrosively funny and at others frighteningly tense, but it’s always incisive and humane.

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