The Moromete Family

Jun 30, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.

May 27, 2016 — The actor sits down to recount his experiences working on Altman’s film about an amoral Hollywood studio executive and discusses the agreement he and Altman made to ensure that the production would be truly independent.

May 17, 2016 — Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...

Apr 29, 2016 — This July brings two new Criterion releases in the United Kingdom: Stanley Kubrick’s satirical Cold War masterpiece Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb and Howard Brookner’s Burroughs: The Movie.

Mar 25, 2016 — Director Ben Wheatley discusses his favorite films, which include Godard’s Weekend. After watching it, he says, “I almost felt like I’d had the stack of cards in my head rearranged and reprogrammed.”

Mar 15, 2016 — Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.

Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.

Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.

Jan 7, 2016 — This month, the Boston Museum of Fine Arts is hosting the series Words in Motion: Graham Greene as a Screenwriter, celebrating the British author’s important contribution to the medium.

Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”