The Criterion Collection
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
The Daily
Jan 31, 2026 — In the spotlight this week: Amir Naderi, Bahram Beyzaie, Hlynur Pálmason, Robert Aldrich, Reginald Hudlin, and the late Béla Tarr.
The Daily
Apr 14, 2025 — The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.
The Daily
Aug 15, 2024 — Late August, early September—this is the perfect spot on the calendar for the Rozier retrospectives in New York and Los Angeles.
Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.
May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.
On the Channel
May 26, 2021 — Channel Calendars Next month, the Criterion Channel celebrates Pride Month with a host of extraordinary queer-themed films, including a new installment of our Queersighted series focusing on taboo-breaking artists, a trio of outré underground classics from John Waters, and a restrospective...
The Daily
Feb 26, 2018 — The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.