The Criterion Collection
Mar 23, 2018 — In anticipation of his debut on the Criterion Channel, Connor Jessup spoke with us about his experiences as an emerging filmmaker and his collaboration and friendship with Thai maverick Apichatpong Weerasethakul.
On the Channel
Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
On the Channel
Mar 16, 2018 — In a new documentary on FilmStruck, composer and sound recordist Bo Harwood discusses his close collaboration with John Cassavetes and the music he composed for six of his films.
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
Feb 26, 2018 — In a new video for the Criterion Channel on FilmStruck, Marvel Comics mastermind Stan Lee talks about his friendship with Alain Resnais.
Feb 22, 2018 — Critic, filmmaker, and festival programmer Tony Rayns explains how Kon Ichikawa intermingles modernist and classical styles in his masterpiece An Actor’s Revenge.
Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.
On the Channel
Feb 12, 2018 — Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.
Feb 7, 2018 — In this excerpt from a supplement on our edition of Elevator to the Gallows, jazz legend Miles Davis plays his improvised score to projected images from the film.