In Time

Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...

Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

Dec 19, 2013 — It’s the most wonderful time of the year! But you wouldn’t know it from all of the melancholy Christmas films that have been made over the years. In this video essay, we investigate the longstanding tradition of bleak midwinters at...

Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.

Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Nov 15, 2013 — Of the many qualities that distinguish Noah Baumbach’s Frances Ha, one that immediately stands out is the glistening black-and-white cinematography. By choosing to shoot in monochrome, Baumbach, with the help of director of photography Sam Levy, makes New York City—and...

Oct 18, 2013 — Did You See This?• Wes takes Budapest. • Out of time with Chungking Express • Les placards du Godard • George Melford and the other 1931 Dracula • Werner Herzog and the other Nosferatu • Splitting the lens in Blow...

Oct 17, 2013 — Christiane’s countenance is one of the most memorable in all of horror cinema—yet you barely get to see the real face of the actor playing her. Edith Scob is an ethereal force in Georges Franju’s Eyes Without a Face as...

Oct 4, 2013 — This fascinating first contact between Roberto Rossellini and Ingrid Bergman kicked off one of cinema’s greatest—and most controversial—love affairs.