Of the many qualities that distinguish Noah Baumbach’s Frances Ha, one that immediately stands out is the glistening black-and-white cinematography. By choosing to shoot in monochrome, Baumbach, with the help of director of photography Sam Levy, makes New York City—and in one memorable visit, Paris—both romantic and gritty, vibrant and melancholy. In this excerpt from an interview on our new special edition of the film, filmmaker and author Peter Bogdanovich and Baumbach discuss the artistic and practical advantages of black and white, and Baumbach talks about shooting digitally for the first time.
How Paweł Pawlikowski Reimagined His Parents’ Fiery Romance for the Big Screen
As the director explains to filmmaker Alejandro G. Iñárritu, the love story at the heart of the Oscar-nominated drama Cold War has its roots in his own family history.
A Daytrippers Trio Looks Back on Their Indie Miracle
Director Greg Mottola reunites with two cast members of his debut feature—Liev Schreiber and Parker Posey—to reminisce about the joys and trials they experienced on the set of this shoestring marvel.
The Trove of Muhammad Ali Footage That Almost Went Unseen
Producer David Sonenberg charts the long road When We Were Kings, which ultimately won an Oscar for best documentary, had to travel to make it to the big screen.