O Aleijadinho

Apr 27, 2012 — Did You See This? • Go underground with Stanley Kubrick, circa 1946. • Catch up with Frau Blücher [sound of a horse whinnying] . . . • . . . and creepy Carrie White. • Lyons on Insdorf on Kaufman...

Apr 20, 2012 — Did You See This? • Richard Brody on the ecstasy of L’Atalante • David Bordwell on the digital conversion—and the Night and the City print that made Jules Dassin weep • Bresson, definitely • A bevy of posters from Moonrise...

Apr 13, 2012 — Did You See This? • Can La haine save London from more riots? • You can’t kid a kidder, but you can scare a scarer. • (Why can’t every day be) Derek Jarman Day • A Cassavetes Tumblr • Edward...

Apr 6, 2012 — Did You See This? • Looking through Keyhole with Guy Maddin • A stunning Rear Window time-lapse panorama • He likes words. • Watch Kubrick’s first three docs. • Is Leo McCarey’s Ruggles of Red Gap “the most patriotic American...

Mar 30, 2012 — Did You See This? • Whit Stillman is back and in distress. • The horror of Fellini • Noah Isenberg gets Wilder. • Citizen Kane GIFs • David Lynch would like to not tell you about his new paintings. •...

Mar 23, 2012 — Did You See This? • Under the skin of Frampton’s Surface Tension • Charting Buñuel’s “Red years” • Kael, Ebert, and the seventies . . . •  . . . but what is cinephilia today? • Slacker and the Austin...

Mar 16, 2012 — Did You See This? • Terence Davies on his new film and stealing from David Lean • Unpublished Spartacus photos • The backlash against the Tiny Furniture backlash has begun. • Where in the Dickens did the BFI find this?...

Oct 17, 2011 — Scratch the surface of a contemporary J-horror classic like Ringu (1998) or any of the Ju-on films (2000–03) and you’ll glimpse Yabu no naka no kuroneko (Black Cat from the Grove), released in the U.S. as simply Kuroneko (1968). Shot...

Aug 30, 2011 — A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.

Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...