A Misappropriated Turkey

Oct 25, 2019 — This week we’re reading about Kira Muratova, The Uninvited, and The Wizard of Oz, and we’re listening in on Martin Scorsese and Kevin Jerome Everson.

Oct 24, 2019 — A giant of monster-movie history, Godzilla has been delivering thrills, wreaking havoc, and unleashing deadly atomic breath since its big-screen debut more than six decades ago. Now the King of the Monsters is the subject of one of the most...

Oct 21, 2019 — Songbook If you weren’t a devotee of the Cantopop world in the early 1990s, the casting of Faye Wong in Wong Kar-wai’s Chungking Express (1994) may not have caught your attention. Starring in her first major role, the singer looked...

Oct 18, 2019 — Art-House America Like a number of theaters featured in our Criterion Channel series Art-House America, the Loft Cinema once faced the threat of its doors closing permanently. Born in 1972, and originally based in a small space near the University of Arizona, this...

Oct 8, 2019 — In 1942, Ernst Lubitsch made one of the riskiest movies of his career: a hybrid of suspense, satire, and screwball comedy that took a real-life crisis—the Nazi occupation of Poland—as its backdrop. While critics have long credited the ingenious screenplay...

Sep 30, 2019 — One of contemporary world cinema’s most exciting filmmakers, Christian Petzold has, over the past two decades, built up a spellbinding body of work that grapples with his native Germany’s turbulent recent history, and its traumatic aftershocks. Now on the Criterion...

Sep 25, 2019 — With Polyester, his first movie to flirt with the mainstream, maverick filmmaker John Waters set out to send up the overripe Hollywood melodramas of yesteryear—but also “to make a movie that really stunk,” as he has put it. Inspired by...

Sep 23, 2019 — By the dawn of the eighties, Divine had already made an outsize impression in a handful of John Waters features, playing insolent women on the wrong side of the law in cult films such as Pink Flamingos and Female Trouble,...

Sep 13, 2019 — Nicholas Britell’s scores are so finely calibrated to the movies they inhabit that they become inextricable from the images on-screen. Whether it’s the staccato heartbeat of orchestral strings in Barry Jenkins’s Moonlight or the mix of piano motifs and hip-hop...

Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.