The Man

Apr 24, 2000 — When I make a film, it is a sleep in which I am dreaming. Only the people and places of the dream matter. I have difficulty making contact with others, as one does when half-asleep. If a person is asleep...

Jun 21, 1999 — Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...

Nov 18, 1997 — Erotic and antierotic, Crash the movie begins boldly enough with a vacantly lissome blonde (Deborah Kara Unger) dreamily opening her blouse to press a bare nipple against the enameled surface of an airplane fuselage before allowing a total stranger to...

May 10, 1993 — Green for Danger is a welcome twist on that most venerable of English concoctions, the drawing-room thriller. In this instance, the drawing room is instead a hospital not far from London, where surgery is conducted under a cascade of German...

Jul 8, 1991 — James Bond: “Do you expect me to talk?” Goldfinger: “No, Mr. Bond, I expect you to die!” Goldfinger, arguably the best of all the Bond films, features an outrageous plot with a very realistic sense of danger. The third James...

Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Dec 2, 2014 — Les Blank’s documentaries focusing on musicians are wonderfully easygoing and authentic. Watching films like A Well Spent Life, a 1971 portrait of Texas blues guitarist Mance Lipscomb, one senses a relationship of total trust between subjects and filmmakers. In this...

Jun 10, 2009 — There’s a cornucopia for Tati fans over at Kristin Thompson and David Bordwell’s blog, Observations on Film Art and Film Art. In a new entry, Thompson spotlights painter Jacques Lagrange, a somewhat unsung collaborator on all of Jacques Tati’s films,...

Aug 12, 2017 — The director of the newly released Columbus takes a close look at how doors open onto philosophical mysteries in the films of French master Robert Bresson.

Mar 3, 2023 — The reconstruction and preservation of history are crucial elements of all of this week’s stories.