Les Blank’s documentaries focusing on musicians are wonderfully easygoing and authentic. Watching films like A Well Spent Life, a 1971 portrait of Texas blues guitarist Mance Lipscomb, one senses a relationship of total trust between subjects and filmmakers. In this excerpt from a supplement on our collector’s edition Les Blank: Always for Pleasure, Blank collaborators Chris Strachwitz and Skip Gerson sing the documentarian’s praises, especially the way his movies elucidate music by showing the lives and environments that create it.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.