Les Blank’s documentaries focusing on musicians are wonderfully easygoing and authentic. Watching films like A Well Spent Life, a 1971 portrait of Texas blues guitarist Mance Lipscomb, one senses a relationship of total trust between subjects and filmmakers. In this excerpt from a supplement on our collector’s edition Les Blank: Always for Pleasure, Blank collaborators Chris Strachwitz and Skip Gerson sing the documentarian’s praises, especially the way his movies elucidate music by showing the lives and environments that create it.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.