The Man

Dec 22, 2009 — When we released Jim Jarmusch’s films Down by Law and Night on Earth, the supplement Ask Jim, in which he answered questions viewers wrote in about his films, was so popular that we’ve decided to do it again. We are...

Nov 13, 2009 — Japanese director Nobuhiko Obayashi, who made the utterly bonkers 1977 kinda-horror film House, currently getting a first-time American theatrical run from Janus Films, is profiled by Paul Roquet in a new essay for Midnight Eye. One of the few pieces...

Oct 20, 2009 — There’s been no shortage of tributes and farewells to Ingmar Bergman in the two years since his death. Considering the parallels between his tumultuous personal life (five wives, nine children) and the troubled personae of his characters, and since his...

Sep 17, 2009 — Le jour se lève was Marcel Carné’s fourth collaboration with screenwriter and poet Jacques Prévert and their third entry in the poetic realism cinema movement, following their vanguard Drôle de drame and Port of Shadows. Both of those films were...

Nov 6, 2008 — In Rashomon, there may be four plausible versions of the murder, but when Academy Film Archive director Michael Pogorzelski began overseeing a brand-new digital restoration of the film, he could locate only two usable prints. In a special NPR podcast,...

Nov 19, 2007 — In 2003, on the occasion of the Cinémathèque française’s complete retrospective of Ingmar Bergman’s work, ten filmmakers were invited to present one of his films that had a significant effect on them. Controversial French director Catherine Breillat (Fat Girl) selected...

Sep 3, 2007 — It came from nowhere, it’s always been here—or so Stranger Than Paradise might seem.Jim Jarmusch had completed his first feature, Permanent Vacation, in 1980 and spent the next four years working on his second. Screened a few times as a...

Aug 1, 2007 — Two towering figures of cinema died this week, and while we can all be grateful that they lived such long and fruitful lives, their departures were nevertheless profoundly saddening, and shocking in their coincidence. Look to your right at our...

Apr 23, 2001 — In 1955, Jules Dassin, an American director in exile in Paris, made this flat-out perfect piece of cinema. The film came as a redemption for Dassin: a one-time promising young director cranking out B-movies under an MGM contract ("They were...

Aug 28, 2000 — Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...