Jun 25, 2017 New York. Edgar Wright Presents Heist Society is a BAMcinématek series running from Tuesday through July 23 and, over at the BAM blog, Wright’s got ultra-brief introductions to each and every one of the twenty-two films—including Walter Hill’s The Driver...

Jun 22, 2017 The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...

Jun 22, 2017 Repertory Picks This coming Saturday and Monday, Portland’s NW Film Center will screen Ernst Lubitsch’s 1942 screwball masterpiece To Be or Not to Be in 35 mm. Released during the height of World War II, this zinger-filled satire stars Carole...

Jun 21, 2017 The interview of the day, hands down, dates back half a century. Via Movie City News comes word that American Cinematographer has posted Herb A. Lightman’s interview with Alfred Hitchcock, which originally ran in its May 1967 issue. What makes...

Jun 21, 2017 At the Film Stage, Jordan Raup reports that Claire Denis will begin production on her science fiction feature High Life next month. Starring Robert Pattinson, Patricia Arquette, and Mia Goth, High Life will be Denis’s English-language debut. She’ll be working...

Jun 20, 2017 With both films now streaming on the Criterion Channel, director Carroll Ballard discusses the parallels between his short documentary Rodeo and Francesco Rosi’s bull-fighting classic The Moment of Truth.

Jun 19, 2017 In his film debut, legendary director Nicholas Ray captured the mythic dimensions of the American open road through the story of an outlaw couple.

Jun 16, 2017 The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...

Jun 16, 2017 Robert Kolker “is best known for his landmark study A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman (1980), now in its fourth edition, as is his influential textbook, Film Form and Culture (1999),” writes Jonathan Kirshner for the Boston...

Jun 15, 2017 New York. “Among the most savage and surreal of Italian comedies, starring one of the country’s biggest stars”—Alberto Sordi—“and directed by one of its legendary filmmakers, Vittorio De Sica’s Il Boom barely made a ripple when first released, in 1963,...

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