Apr 22, 2021 Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Apr 16, 2021 Few motifs in Indian cinema are as potent, as laden with history and meaning, as the train. In 1955’s Pather Panchali, Satyajit Ray immortalized the railways as the symbol of an alienating modernity in a newly independent India; in a...

Apr 9, 2021 Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...

Apr 6, 2021 The new issue spotlights some of the most notable films from this year’s Berlinale—and more.

Amos Vogel at 100

The Daily

Mar 31, 2021 The Austrian Film Museum and Punto de Vista celebrate one of the most influential programmers in the history of cinema.

Mar 25, 2021 One of the most beloved performers of the 1970s staged two comebacks in his later years.

Mar 24, 2021 Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...

Mar 23, 2021 With the participation of Wong Kar Wai’s production company, Jet Tone Films, and collaborating with L’Immagine Ritrovata and One Cool, the Criterion Collection undertook meticulous restorations of seven of the director’s films, five of which—Chungking Express, Fallen Angels, Happy Together,...

Women at Work

The Daily

Mar 19, 2021 We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

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