The Criterion Collection
Essays
May 13, 2002 — In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.
Essays
Jan 29, 2001 — In Michael Powell and Emeric Pressburger’s drama, the characters abandon their twin faiths, in God and the British Empire, and turn themselves over to more ancient and dangerous powers.
Essays
Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...
Essays
Mar 26, 1998 — In The Lady Vanishes, Alfred Hitchcock pushes the romantic comedy-thriller form to perfection. Endlessly imitated, the film remains unique, even in Hitchcock’s canon. In no other movie but North by Northwest was he able to blend these two genres so...
Essays
Mar 11, 1991 — Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.
Essays
Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.
On the Channel
May 7, 2019 — Art-House America From Ryman Auditorium to the historic entertainment district of Printer’s Alley, Nashville certainly isn’t a city that lacks for cultural landmarks. And country music is far from the only game in town. For a little piece of movie...
The Daily
Jun 5, 2026 — We’re wrapping the week with conversations with Lilly Wachowski, Shunji Iwai, and Tsui Hark as well as essays on Ozu and Ghatak.
The Daily
Sep 29, 2025 — Notes on new studies of David Lynch and Stanley Kubrick and biographies of Jane Birkin and Terrence Malick.