Black Book

Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.

Aug 20, 2018 — A survey of some of the most notable titles to have appeared over the summer.

Aug 14, 2018 — Reimagining the story of a Mexican American folk hero, this revisionist western ushered in a new era in both Chicano and independent filmmaking.

Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.

Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.

Jul 16, 2018 — The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

Jul 4, 2018 — New issues of Cinema Scope, Film Comment, and Senses of Cinema take stock of the year in cinema—so far.

Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.

Jun 8, 2018 — San Francisco’s festival of experimental film prompts a new taxonomy from Michael Sicinski.