WHO

Aug 29, 2012 — With humor and melancholy, Franc Roddam’s coming-of-age drama, based on the Who’s iconic album, shows us a g-g-generation on the edge.

Aug 28, 2012 — The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.

Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.

Aug 27, 2012 — There are disturbing movie scenes, and then there are disturbing movie scenes. The following, from Norman Mailer’s Maidstone, is not for the faint of heart. The 1970 film is the ultimate example of Mailer’s cinematic philosophy, which held that a...

Aug 24, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results....

Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.

Aug 20, 2012 — In conceiving his film Weekend, British writer-editor-director Andrew Haigh posed a challenge to himself—to create a tale of two men falling in love that would both honestly reflect the contemporary gay experience and appeal to a wider, heterosexual audience. There’s no question...

Aug 16, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled the results....

Aug 15, 2012 — The idea that Luc and Jean-Pierre Dardenne have an uncanny ability to get right on top of the action in a scene without their camera’s ever feeling intrusive—to actors or viewers—is a common refrain in discussions of the Belgian directors’...

Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.